Posts tagged Steampunk
Posts tagged Steampunk
Review by Morgan.
Characters: ***** (5 stars)
Character Development: ***** (5 stars)
Plot: **** (4 stars)
Writing: **** (4 stars)
Overall: ****1/2 (4 1/2 stars)
Age recommendation: 10+
(This review was also posted to Morgan’s own book blog: Navigating The Stormy Shelves.)
In all his years as an apprentice historian, Tom Natsworthy has never doubted the moral supremacy of Municipal Darwinism; that is, mobilized cities and towns hunting each other down and consuming weaker suburbs for resources all over the ravaged carcass of Earth. London, his beloved city, is on the move and he’s sure it’s the best city-on-wheels in the whole world. After all, his hero Thaddeus Valentine – the dashing airship explorer and collector of Old-Tech like mysterious compact discs and other artifacts from before the Sixty Minute war – is a Londoner, and Tom wants to be just like Valentine someday, despite his own lowly status as an orphan apprentice at the museum. When he rescues his hero from a revenge-bent young assassin girl, though, Tom finds himself stranded on solid ground while London thunders on in search of better hunting grounds, and he must come to terms with the numerous secrets which suggest that London is not as ideal as its townsfolk (and passengers) assume. The adventures which await our young hero star a cast of unforgettable characters including a deformed girl with a painful past, some museum curators with more gumption than meets the eye, a charming but mysterious rebel pilot, treacherous villains with impeccable manners, and a roving town operated by greedy pirates. The more Tom learns about the world London travels over, the more he begins to realize that someone needs to take action before history repeats itself. And, as Valentine’s daughter Katherine is simultaneously realizing from aboard London – where some seriously scientific tension has been building – the world might need to be saved sooner rather than later.
It took a little while for me to decide that I loved Mortal Engines. It started out as a decently interesting Young Adult adventure, with good elements of futuristic world-building as well as steampunk-ish atmosphere and an interesting premise, but the cool idea of cities eating each other wasn’t enough to draw me in. Luckily for me, a friend had mentioned that the story picked up after the first few chapters, and I’m incredibly glad that I kept reading. Once Reeve introduces some devastating betrayal to the plot, and Tom Natsworthy gets a chance to prove himself as a morally complex character, the intrigue of Mortal Engines picks up steam and demands your attention until the very end. The last hundred pages or so were so exciting, so unexpected, and so well written that I stopped trying to savor the book and just read as furiously as possible. The ending especially…well, let me just say that Mr. Reeve breaks the conventions of children’s fiction with great skill. I know that there are books which follow Mortal Engines, but even on its own it was an unexpected and inventive book; one which I have already recommended to several young readers on the hunt for some thrilling adventures.
The characters Tom meets on his adventures were truly unique, and while I might be slightly biased since so many of them are pirate-types, I can promise that they are written very well even beneath their swashbuckling surfaces. Philip Reeve does an excellent job of showing how difficult it can be to reconcile one’s actions with what one believes is right. The book’s young heroes must sometimes let other people get hurt in order to preserve themselves and their missions. The villains aren’t necessarily soulless monsters (although those exist in the story, too). Bad guys love their families, good guys can be selfish, and most of the people living in this messed-up world just want to get through their lives without having to experience their town getting eaten by a bigger one. I tend to prefer YA adventure and speculative fiction to have more young characters than adult protagonists, but in Mortal Engines the grown-ups and children alike are vividly drawn and memorable. With extremely high stakes driving the action, it was nice to read a book in which individuals were defined by their skills, courage, and choices rather than their ages or, indeed, their races and political beliefs. Heavy ideas like the politics of imperialism and scientific exploitation contribute to the story’s drama, but the mix of historical atmosphere and inventive future setting of Mortal Engines remains a consistently well-balanced stage for Tom’s story.
I would recommend Mortal Engines to young readers who want more adventure than romance in their books, and who don’t expect everything to turn out just fine as they read about harrowing journeys. The book is appropriate for anyone aged eleven up, and would appeal to fans of steampunk; pirate stories; and both historical and science fiction. Think the age group at which series like Artemis Fowl and The Chronicles of Chrestomanci are aimed. The writing style is traditional and old fashioned without being annoyingly so, and there is a fairly equal balance of genders and races to keep more than just pretty-but-awkward teenage white girls feeling represented. Even adults should read this book, especially anyone who has enjoyed Stephen Hunt’s The Court Of The Air or Terry Pratchett’s Discworld books. It’s a great story, one which has been captivating readers for over a decade, and I hope people will be talking about it for many years to come.
Characters: ****(4 Stars)
Character Development: **** (4 Stars)
Plot: **** (4 Stars)
Writing: ***** (5 Stars)
Overall: ****1/2 (4 1/2 Stars)
Age range recommendation: 13 +
Review by Morgan
This is the first novel I’ve ever read entirely on an e-reader, and while I was a little perplexed by the whole experience I’m so glad that I chose to embrace technology this once. Rescue, or, Royer Goldhawk’s Remarkable Journal is one of the most entertaining books I’ve had the pleasure to read in a long time. I found myself staying up late after an exhausting day of traveling around Sweden, desperate to finish the final 200 e-book pages before the battery ran out.
The book begins with the discovery of a mysterious journal in a locked attic trunk, a journal belonging to the discoverer’s father, and an assortment of strange objects brought to light for the first time in many years. Perhaps this is a clichéd way to begin a story, but I must admit that I was drawn in by the set up. After all, this sort of beginning usually leads to the sort of adventure I look for in a title like Rescue! After only a couple of pages we delve right in to Royer Goldhawk’s journal, which starts on September 5, 1883, “in which Royer Goldhawk embarks on a perilous and unexpected journey.” It was exciting to read a steampunk novel which takes place in the USA rather than England or Europe, and the bustle of New York City is where the action begins. Royer is a student at Columbia who spends his spare time at his friend Benjy’s pawn shop. He’s a mild-mannered fellow, compared to his more boisterous friend who lends plenty of comedy to the story, who loves engineering, his parents, and a girl named Mercy Winmer. When America Loveguard – a fashionable but indelicate vaudeville performer and mutual friend of Benjy and Mercy – invites them to her show, Royer attends more out of a desire to see Mercy than America, whose boldness he finds improper. However, the afternoon soon takes a disastrous turn when a villain with a dirigible kidnaps Mercy in broad daylight. Failing to rescue her, Royer does manage to steal a mysterious document off the flying machine, and this document inspires the wealthy criminal to buy off the police force and hire men who kill Royer’s parents and pin the blame on him. A beautiful kidnapped woman, airships, corrupt police, mysterious documents, murder, and pawn-shop combat all within the first forty pages? It’s the start to an exciting journey across the USA in a time when the country was only half-mapped, and the drama continues when Royer, Benjy, and America board a train to escape their pursuers and, against the odds, rescue their friend.
Royer records the details of their travels in his journal, recounting each day’s events with wonder when the adventure begins but with growing maturity as their courage and loyalty are tested over time. This style of writing – daily journal entries – means that we can never be too sure how the story will progress, though obviously Royer survives to write it down each night. The framing narrative of the trunk in the attic, which comes back again halfway through the book, also suggests that Royer meets his wife at some point in the tale, but aside from this fact and the preserved objects which subtly foreshadow what’s to come, each entry keeps the suspense and sense of discovery alive. The friends meet a one-legged and one-armed drifter with a lust for revenge who joins their band, they encounter a voodoo priestess who tells them that the stolen scroll has to do with fairy magic, and they combine forces with a goggled gun-slinger after a train robbery quite literally derails their quest. We’ve seen similar characters and plot twists before in fantasy novels and cowboy serials, but they come together to make something unique in Strickland’s book. Even when she introduces magic into the plot, enough characters are skeptical about its existence to keep the twist from seeming like an easy way out. There’s a bit of romance and some sexual tension, but the action and memorable characters are what keep the story going. The events builds up to a stressful denouement which features a charged combination of magic and old fashioned science, and the final pages of Royer Goldhawk’s journal clearly set us up for a sequel. By that point, the excitement should have drawn any reader in so deep that they’ll be scrambling for the next installment. I, for one, can barely wait to learn what happens next – so she’d better publish the second book soon!
Amy Leigh Strickland has created an enormously satisfying steampunk adventure with wild western and fantasy themes running through it; but unlike many novels in those genres, Rescue manages to be simultaneously fast-paced and well researched. We get just enough detail about ingenious mechanics and magical scrolls to keep the action within the realm of fictional possibility, but Strickland never lets her prose get self-indulgent. Some fantasy and steampunk stories get too absorbed in the cleverness of their designs and draw us out of the plot completely, but not in this case. On the other hand, she has obviously done her research. Her knowledge of the time period ensures that the setting is vivid and believable rather than just a vague backdrop. I was particularly impressed with the descriptions of commercial enterprises which were just starting at the time; the expanding territories and railroads; mechanics; historical syntax; and even little details like the standardization of timekeeping and Edison’s experiments with light and sound. As our heroes travel from New York to New Orleans to the Wild West – meeting fascinating characters along the way – intrigue, action, and historical detail blend damn near seamlessly to create a vivid world and a compelling story. What more could you ask in the first book of what promises to be an addictive series?
I’d recommend Rescue, or, Royer Goldhawk’s Remarkable Journal to steampunk fans who want something a little different from the conventions of that genre; to adventure enthusiasts; and those readers who like their fantasy stories to be realistically presented, and their historical fiction to be truly exciting. While the characters are adults, it would be an appropriate book for young people as well. I know that thirteen year old Morgan would have been in love with it. You can buy the kindle edition for an absurdly low price at amazon.com, and it looks like there’s a paperback version available as well. Seriously, folks, buy this book and read it if you’ve got a few hours to kill and need some excitement in your life. Just don’t blame me when you’re desperate to know what happens next.
Characters:**** (4 stars)
Character Development:*** (3 stars)
Plot:***** (5 stars)
Writing:*** (3 stars)
Overall:***1/2 (3.5 stars)
Review by Morgan.
Age Range Recommendation: Ages 14 and up. (Frightening ideas and some graphic violence.)
Hello my poor neglected readers. I had fully intended to review The Haunting of Alaizabel Cray in time for Hallowe’en, as it is one of my favorite scary books of all time, but alas I was figuratively drowning in school work, literally drowning in tea, and quite unable to form coherent sentences until now. However, November is an appropriately creepy month – especially here in Scotland where it gets dark by four in the afternoon – and the novel does indeed take place in November, so I’ll review it now.
The Haunting of Alaizabel Cray has a slightly deceptive title; it suggests a ghost story about a young woman with a strange name. In fact, the book is less about a single haunting and more of a full-on supernatural onslaught in an alternative-history Victorian London.
The main character is a seventeen year old “wych-hunter” named Thaniel Fox, and he is one of those teenage protagonists blessed with an ability to perform any task a thousand times better than his adult counterparts. Thaniel and his mentor in wych-hunting Cathaline (in anticipation of your questions: No, not a single character in this novel has a normal name) stalk and destroy immensely terrifying creatures called wych-kin who roam the streets of London. London itself is different than it was historically in Victorian times: in an act of steampunk warfare the Prussians have bombed it from their airships roughly thirty years before our story takes place, and in certain parts of the city the wych-kin roam about unchecked. When stalking a cradlejack – a monster who steals and eats babies, infecting anyone it bites – Thaniel comes across a traumatized girl his own age with amnesia. This is Alaizabel Cray, and she is possessed by a cranky, super evil old wych. The story centers around Thaniel, Alaizabel, and Cathaline as they learn about Alaizabel’s past and realise that much darker forces are at work than the monstrous wych kin who are growing in numbers too ghastly to think about.
Some readers may be confused by the extremely varied ratings I’ve given each aspect of this novel. The writing and character development of this book aren’t too excellent, you can tell that the author was still in his early twenties when he wrote it and his style hasn’t been perfected yet. He overuses certain words, like “clotted” and “lacquered,” to remind the reader how very dark and scary his version of London can be. As for the characters, each person is unique and fascinating but sometimes they are a little too perfect. With the single notable exception of Artemis Fowl (by Eoin Colfer), no teenager could believably be so proficient in this many fighting techniques, magical applications, and generally bad-ass skills as Thaniel. He’s a likable character, levelheaded and cool, but when I first read this book I was fifteen years old and even then he seemed a little unrealistic. The same goes for Alaizabel Cray; she is sweet, clever, brave, and sympathetic every time she speaks or acts, and it doesn’t quite add up. Were I possessed by an evil spirit, I’d be grumpy and tired. The minor characters are more believable, they each have their own strengths and foibles which round out the cast quite nicely.
Despite Wooding’s occasionally questionable writing, the plot in The Haunting of Alaizabel Cray is one of the best I’ve read in YA fiction. He doesn’t just center around the relationship between Alaizabel and Thaniel, he writes a twisting, high-stakes tale which encompasses all of Victorian London from the police, to madhouses, to aristocratic cults, to beggar kingdoms, to serial killers. The wych-kin themselves are each described in spectacular detail; there are new creatures the reader learns about in nearly every chapter and each is grosser and more sinister than the last. Scrawny cradle-robbers with needle sharp teeth; the drowned splashing noises of the Draugs’ footsteps as they stalk their victims, the air growing cold and salty as they approach; the terrifying spectre which fills Alaizabel’s entire bedroom as it looms in darkness over her bed: this is the stuff of nightmares. Once you have read The Haunting of Alaizabel Cray, you will never look behind yourself more than twice when walking at night, no matter what you might hear in your wake, for fear of getting devoured by Rawhead – the invisible stalker who only strikes on the third glance.
Chris Wooding has invented horrors I couldn’t even dream up myself, and I am notorious for screaming in my sleep from night-terrors. The wych-kin are truly traumatizing, but the villainous humans aren’t much nicer. The mysterious Fraternity – that dark cult which causes Alaizabel to become possessed as they carry out a nefarious scheme for power – is made up of corrupt policemen, cruel wych-hunters, and one truly nasty doctor who controls the city’s insane asylum. Their rituals are creepy and completely immoral, and although Wooding’s writing style sometimes detracts from the story he is extremely talented at inventing and describing magic in an original but comprehensible manner. The system of wards and summoning in the novel is unlike anything I’ve ever read and I was impressed by his inventiveness.
With the Fraternity and wych-kin for antagonists, those characters who remain in the moral middle-ground are evil enough themselves. Devil-boy Jack, a psychic little boy with his eyes sewn shut, has absolutely no qualms about letting his friends die for the sake of a plan. And he’s one of the kinder anti-heroes. Stitchface is one of Wooding’s greater creations. He’s a serial killer who drives a hansom cab at night, wearing a woman’s wig over his mask: a gaping face sewn together from the skin of prostitutes he murders. Yup, Stitchface is one of the good guys; the villains and monsters are way more horrifying than your regular psycho killer. Hence, my age recommendation of fourteen and above. “Not a bedtime book for those of a nervous disposition,” wrote The Times in its review of Alaizabel Cray, and I would have to agree. Read this book if you want to be terrified, and if you don’t mind feeling entirely on edge when walking home at night, because you’ll soon be counting the number of times you look over your shoulder and jumping at every noise.
So, why should you read The Haunting of Alaizabel Cray, even though the writing is a bit iffy? The setting is vivid, the plot is engaging, it features one of the best duels I’ve ever read, and the story is entirely unique. It being a Young Adult novel, one could probably finish it in an evening, and that would be a November night well spent. It’s an atmospheric novel, perfect for this time of year when the nights are long and the weather dreary. Go and read it quickly, before November is over!