Posts tagged Horror
Posts tagged Horror
Review by Morgan
Since this is an anthology of short stories, the star ratings will be slightly different.
Writing: *** (3 stars. The authors chose to present their stories in their raw and largely unedited forms: notes in the margins point out what they would like to change. Despite the rough writing in places, the general quality is very good.)
Arrangement: **** (4 stars. Stories are relatively varied and presented in an appealing order. I wish the final story had been stronger, though.)
Balance: **** (4 stars. We get a nice mix of fantasy, horror, speculative fiction, legends, and psychological darkness.)
Personality: ***** (5 stars. I mean to say that the authors’ personalities and their writing styles shine through their commentary in the best of ways. We see how they work as writers and it makes them even more lovable/admirable.)
Overall: ***** (4 stars. I really like this book!)
Inspired by their collaborative website, The Merry Sisters of Fate (merryfates.com), The Curiosties showcases quickly written pieces of short fiction by Maggie Stiefvater, Tessa Gratton, and Brenna Yovanoff. The stories tend to fall within their collective genre of paranormal or speculative Young Adult fiction, but each author contributes stories which refuse to be contained by one genre or even – as the amusingly hand-written margin notes point out – by their own distinctive writing styles. Brenna, Tessa, and Maggie share their thought processes, inspiration, and their opinions about each others’ work, and we get to see how their voices have changed and developed as a result of their literary friendship. For readers who pick up The Curiosities as fans of one particular author, there will be plenty of familiar themes and fixations within these pages. But it’s the unexpected pieces, the stories which surprised the writer, and which her friends admit to wishing they had written first, which make this collection so valuable to admirers of these authors and their subjects.
I was only slightly familiar with the authors of The Curiosities when I started reading. I’ve shared my high opinion of Stiefvater’s The Raven Boys already, and I remember getting carried away into the dark and intricate world of Yovanoff’s The Replacement a couple of Novembers ago, but I wasn’t particularly well versed in their bodies of work and I’d never read Gratton at all (though I wish I had – she’s great!). My ignorance didn’t really matter, though, because through witty banter with her friends and wise thoughts on writing, history, magic, etc, each writer bares her personality and makes her voice as distinct as if we knew her personally. The informal tone of this collection sets off some of the truly dark stuff which it contains, and you get to read a well balanced combination of YA anthology and “How We Write” essay, all in one attractive package.
The stories themselves are excellent fun, provided that you enjoy the sort of writing done by these women. While the pieces are varied in terms of plot and format, and while the order in which they’re presented keeps the pace from dragging, they are resolutely stories for Young Adult readers who like elements of the paranormal; the esoteric; the sinister; and the weird. (A note: by “Young Adult reader”, I refer to anyone, young or adult or somewhere in between, who enjoys YA fiction.) You will find monsters and creatures to suit every taste, retellings of legends and stories prompted by fairy tales, good old fashioned ghost stories, horrifying visions of the future, and even some stories featuring no technical magic at all but which embody a perfectly chilling sense of dread. You will read about highschool, college, alternative historical settings, the ancient north, and steampunk or sc-fi cityscapes. There is kissing, killing, and wit galore.
What you won’t find in The Curiosities is grown-up, tightly plotted, examinations of every day life; at least, there are no mundane sensibilities left to carry a story on their own. But themes get heavy in this collection, underneath the strange and beautiful surface. Maggie’s pieces about geniuses behaving badly and legends existing in our world deal with questions of power, loyalty, and how to spend the time we have given to us. These are questions which The Raven Boys also handled very well. Tessa’s tales about monsters and complicated spells examine the importance of bravery in the face of sorrow and how traditions shape our lives. And Brenna’s stories about psycho killers tricked by even-more-psychotic killers, lonely ghosts, and wishes gone awry reveal the capacity for darkness which waits within all of us, and that desperate need for understanding which can save us when we’re young. These ladies know what they’re doing, and they do it well: telling us eternal truths hidden deep within compelling stories which appeal to our sense of the macabre and the fantastic.
Characters:**** (4 stars)
Character Development:*** (3 stars)
Plot:***** (5 stars)
Writing:*** (3 stars)
Overall:***1/2 (3.5 stars)
Review by Morgan.
Age Range Recommendation: Ages 14 and up. (Frightening ideas and some graphic violence.)
Hello my poor neglected readers. I had fully intended to review The Haunting of Alaizabel Cray in time for Hallowe’en, as it is one of my favorite scary books of all time, but alas I was figuratively drowning in school work, literally drowning in tea, and quite unable to form coherent sentences until now. However, November is an appropriately creepy month – especially here in Scotland where it gets dark by four in the afternoon – and the novel does indeed take place in November, so I’ll review it now.
The Haunting of Alaizabel Cray has a slightly deceptive title; it suggests a ghost story about a young woman with a strange name. In fact, the book is less about a single haunting and more of a full-on supernatural onslaught in an alternative-history Victorian London.
The main character is a seventeen year old “wych-hunter” named Thaniel Fox, and he is one of those teenage protagonists blessed with an ability to perform any task a thousand times better than his adult counterparts. Thaniel and his mentor in wych-hunting Cathaline (in anticipation of your questions: No, not a single character in this novel has a normal name) stalk and destroy immensely terrifying creatures called wych-kin who roam the streets of London. London itself is different than it was historically in Victorian times: in an act of steampunk warfare the Prussians have bombed it from their airships roughly thirty years before our story takes place, and in certain parts of the city the wych-kin roam about unchecked. When stalking a cradlejack – a monster who steals and eats babies, infecting anyone it bites – Thaniel comes across a traumatized girl his own age with amnesia. This is Alaizabel Cray, and she is possessed by a cranky, super evil old wych. The story centers around Thaniel, Alaizabel, and Cathaline as they learn about Alaizabel’s past and realise that much darker forces are at work than the monstrous wych kin who are growing in numbers too ghastly to think about.
Some readers may be confused by the extremely varied ratings I’ve given each aspect of this novel. The writing and character development of this book aren’t too excellent, you can tell that the author was still in his early twenties when he wrote it and his style hasn’t been perfected yet. He overuses certain words, like “clotted” and “lacquered,” to remind the reader how very dark and scary his version of London can be. As for the characters, each person is unique and fascinating but sometimes they are a little too perfect. With the single notable exception of Artemis Fowl (by Eoin Colfer), no teenager could believably be so proficient in this many fighting techniques, magical applications, and generally bad-ass skills as Thaniel. He’s a likable character, levelheaded and cool, but when I first read this book I was fifteen years old and even then he seemed a little unrealistic. The same goes for Alaizabel Cray; she is sweet, clever, brave, and sympathetic every time she speaks or acts, and it doesn’t quite add up. Were I possessed by an evil spirit, I’d be grumpy and tired. The minor characters are more believable, they each have their own strengths and foibles which round out the cast quite nicely.
Despite Wooding’s occasionally questionable writing, the plot in The Haunting of Alaizabel Cray is one of the best I’ve read in YA fiction. He doesn’t just center around the relationship between Alaizabel and Thaniel, he writes a twisting, high-stakes tale which encompasses all of Victorian London from the police, to madhouses, to aristocratic cults, to beggar kingdoms, to serial killers. The wych-kin themselves are each described in spectacular detail; there are new creatures the reader learns about in nearly every chapter and each is grosser and more sinister than the last. Scrawny cradle-robbers with needle sharp teeth; the drowned splashing noises of the Draugs’ footsteps as they stalk their victims, the air growing cold and salty as they approach; the terrifying spectre which fills Alaizabel’s entire bedroom as it looms in darkness over her bed: this is the stuff of nightmares. Once you have read The Haunting of Alaizabel Cray, you will never look behind yourself more than twice when walking at night, no matter what you might hear in your wake, for fear of getting devoured by Rawhead – the invisible stalker who only strikes on the third glance.
Chris Wooding has invented horrors I couldn’t even dream up myself, and I am notorious for screaming in my sleep from night-terrors. The wych-kin are truly traumatizing, but the villainous humans aren’t much nicer. The mysterious Fraternity – that dark cult which causes Alaizabel to become possessed as they carry out a nefarious scheme for power – is made up of corrupt policemen, cruel wych-hunters, and one truly nasty doctor who controls the city’s insane asylum. Their rituals are creepy and completely immoral, and although Wooding’s writing style sometimes detracts from the story he is extremely talented at inventing and describing magic in an original but comprehensible manner. The system of wards and summoning in the novel is unlike anything I’ve ever read and I was impressed by his inventiveness.
With the Fraternity and wych-kin for antagonists, those characters who remain in the moral middle-ground are evil enough themselves. Devil-boy Jack, a psychic little boy with his eyes sewn shut, has absolutely no qualms about letting his friends die for the sake of a plan. And he’s one of the kinder anti-heroes. Stitchface is one of Wooding’s greater creations. He’s a serial killer who drives a hansom cab at night, wearing a woman’s wig over his mask: a gaping face sewn together from the skin of prostitutes he murders. Yup, Stitchface is one of the good guys; the villains and monsters are way more horrifying than your regular psycho killer. Hence, my age recommendation of fourteen and above. “Not a bedtime book for those of a nervous disposition,” wrote The Times in its review of Alaizabel Cray, and I would have to agree. Read this book if you want to be terrified, and if you don’t mind feeling entirely on edge when walking home at night, because you’ll soon be counting the number of times you look over your shoulder and jumping at every noise.
So, why should you read The Haunting of Alaizabel Cray, even though the writing is a bit iffy? The setting is vivid, the plot is engaging, it features one of the best duels I’ve ever read, and the story is entirely unique. It being a Young Adult novel, one could probably finish it in an evening, and that would be a November night well spent. It’s an atmospheric novel, perfect for this time of year when the nights are long and the weather dreary. Go and read it quickly, before November is over!